The story is getting up and go easily and the bona fide characters in the play remain the highlight of the show. Yes! Yousuf’s adoration for Zulekha can’t be clarified in a sensible manner yet I have truly no inconvenience identifying with how Yousuf feels for Zulekha. Imran Abbas has assumed his part truly well, I felt for Yousuf at all times. Madiha’s character is stand-out subsequent to if this was whatever other play Madiha would have been using all her energies into making an a misconception in the middle of Yousuf and Zulekha that would totally decimate any plausibility of them getting together eventually. Madiha then again stays extremely nonpartisan in terms of Yousuf’s adoration for Zulekha. At the point when Zulekha called her today I was anticipating that her should say something that would end this part perpetually yet truly in spite of my desires Madiha’s affection for Yousuf is totally sacrificial. She has been longing for Yousuf’s adoration and consideration since her school days however she is not going to utilize any sort of out of line strategies to win that affection. It is invigorating to see all these sensible young ladies on screen who are definitely not urgent. Mansha Pasha has drawn out the best in her character by not making Madiha look like as large a victimized person as we were apprehensive she may end up being a definitive bechari. The character has been composed in an extremely adjusted manner too. Madiha is a daring young lady who knows how to handle her sentiments yet you do feel for her.
Zulekha’s discussion with Madiha unmistakably demonstrated that she just felt frustrated about Yousuf in light of the fact that whatever transpired was exceptionally merciless and unjustifiable. She feels literally nothing for Yousuf and she assuredly would not like to lead him on. Zulekha’s dad’s insecurities and his narrow-mindedness are getting unnerving with each passing scene. Noor Mohammad expects to continue with his wedding furthermore that of Zulekha no matter what. This course of action most likely suits him all the more now that he has his brain made up that he will get hitched to Lubna. He can’t think about a superior approach to rebuff Afia Begum and fix his wounded personality. Noor Mohammad neglects to see his little girl as a person, that is the motivation behind why even after Zulekha transparently imparted her contemplations about her future her dad did not even issue it a misgiving. Like a despot he felt unstable however he didn’t feel the need to pay notice to what Zulekha needed to say. Zulekha’s sermon about popular government failed to be noticed on the grounds that individuals like her dad and sibling don’t have faith in vote based system however they trust in overwhelming and directing. The main reason Zulekha and her sister haven’t adult to be easygoing young ladies with no supposition is a result of Afia Begum’s overwhelming identity who has figured out how to be vocal and sure even in the wake of being hitched to somebody like Noor Mohammad for every one of these years.
The way the policeman who was incharge of verifying that Yousuf gets rebuffed was persuaded of his honesty helped me to remember how Khalil constantly figured out how to win everybody over in view of his certified affections for Shano. This adoration story however is altogether different from that of Khalil and Shano’s affection story in light of the fact that for the present it is stand out sided. There wasn’t quite a bit of Afia Begum in today evening time’s scene and I certainly missed her witty dialogs in today evening time’s scene.
The word yakhni was abused in today evening time’s scene and the yakhni assumed a vital part in making Yousuf’s step-mother make sense of what was going on. We additionally got the chance to see a pleasant close-up of the yakhni which was truly persuading;) Yousuf’s step-mother’s part is another character which splits far from all the platitudes that have ever left about step moms! It appears as though Yousuf’s dad got hitched just as of late subsequently Yousuf still is thinking that it difficult to acknowledge his dad’s new wife.
Generally speaking, this scene was not extremely happening but rather it was really OK. The story is getting up and go progressively and right now it would appear that nothing can keep Noor Mohammad from getting his girl wedded. All the performing artists are doing complete equity to their characters yet Imran Abbas and Mansha Pasha’s exhibitions emerged in today’s scene more than whatever other. All the scenes were short, to the point and shot perfectly. This scene of MNYH didn’t have the dhuwandaar dialogs like the ones in the past few scene so I without a doubt missed those however I am doubtlessly anticipating the following scene on the grounds that I can hardly wait to discover how this adoration story unfolds.